Before I begin on the larger works, I always create a study to help me unpack the essence of the tree I am painting. This preliminary process is crucial, allowing me to explore the composition and understand the nuances of each tree’s unique character. Each tree presents a distinct combination of colours, from the deep shadows to the delicate highlights, and the study enables me to become intimately acquainted with these variations.

This close examination is like a conversation with the tree, where I learn its story. The study is not just a technical exercise but an essential step in the creative process, laying the foundation for the final work and ensuring that the tree’s uniqueness is fully captured.

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